Godzilla (2014) [Blu-ray]
Action | Sci-Fi | Thriller
Tagline: The king arrives
The world's most famous monster is pitted against malevolent creatures who, bolstered by humanity's scientific arrogance, threaten our very existence.
Reimagining of the 1954 Japanese Science fiction film about the destruction caused by a giant monster. When a devastating event is covered up as a natural disaster, nuclear physicist Joe Brody realises something much more sinister is to blame. Scientists
Dr. Ichiro Serizawa and Dr. Vivienne Graham reveal that in 1954 a powerful monster was awakened, and though 'nuclear tests' were carried out in the Pacific Ocean to destroy it, the creature has now returned. With the US Armed Forces -- including Joe's son
Navy Lieutenant Ford Brody -- called into action, humanity fights for its survival.
Storyline: In 1999, the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra. Years later, Joe's son, Ford, a US Navy ordnance disposal officer, must go
to Japan to help his estranged father who obsessively searches for the truth of the incident. In doing so, father and son discover the disaster's secret cause on the wreck's very grounds. This enables them to witness the reawakening of a terrible threat
to all of Humanity, which is made all the worse with a second secret revival elsewhere. Against this cataclysm, the only hope for the world may be Godzilla, but the challenge for the King of the Monsters will be great even as Humanity struggles to
understand the destructive ally they have. Written by Kenneth Chisholm (kchishol@rogers.com)
Reviewer's Note: Reviewed by Martin Liebman, September 10, 2014 -- When it comes to sheer volume of films and cultural infusion, precious few characters can claim a legacy as long, as storied, as cherished as the creature for
which the Godzilla franchise is named. The numerous James Bond pictures certainly come to mind as another entrant for the short list of lengthy screen resumés, but suffice it to say Japan's favorite kaiju runs rampant in entertainment
circles; just plug "Godzilla" into the Blu-ray.com movie search bar above and be amazed at the mass. With that in mind, could another Godzilla movie really bring anything new to the table? Can any new entry stand part from the crowded field,
at least beyond the spotlight it enjoys with its release, withstanding the test of time and climbing the heap of Godzilla movie experiences to become something of a classic in its genre? Hollywood's 2014 take on the franchise has a few things going
for it to nudge it in that direction. First, of course, are budget and year of production. A huge movie made for modern audiences with not a rubbery outfit or obvious miniature in sight, the film could potentially redefine the franchise well beyond the
Americanized take on the monster as seen in Director Roland Emmerich's entertaining but largely unfaithful 1998 film of the same name. Next, it could embody the franchise's essence with a more accurate re-imagining of the classic Godzilla
structure, only with, again, a more energized, modernized façade. Finally, with the marketing muscle of a major studio behind it, the film could re-introduce large swaths of audiences to one of the world's most beloved franchises that, for better or
worse, may not be much more than a blip on Western radars due to "barriers" such as age and language. Yet it's that need to remain true to a core style that seems most important in any big Western take on one of the East's most cherished cinematic
treasures. Does Godzilla, then, succeed through the noise and chaos?
Godzilla represents a not-so-classic case of "in with the old, in with the new." Director Gareth Edwards' (Monsters) film lovingly hearkens back to the core essence of the classic franchise films but does so on a bigger scale and with a more
immersive style than ever before. The story dates back to the creature's rightful origins in the dawn of the nuclear age but largely brushes aside Japanese canon in favor of constructing a new, linear story from then to now. This is arguably the most
hardcore Godzilla film in existence, not because of the massive destruction but because of the blend of graceful cinema and technological advancement that provides a truly franchise-defining sense of chaos and scale never before experienced in a
Godzilla film. It's all of the classic sensibilities made exceptional by progress, resulting in a film that blends the classic Summer blockbuster style with a knowledgeable, passionate approach that commands the screen for every minute of its
two-hour runtime.
The movie, then, is really everything the audience expects and, perhaps, a lot that it doesn't expect. If one's exposure to Godzilla comes from the 1998 American film and maybe bits and pieces of the Japanese films on cable TV, viewers might be in
for a shock considering the intimacy with which the film is made and the steadiness and scale and awe-inspiring visuals and serious tone that greet them, particularly throughout the mesmerizing second half of total chaos across the Pacific and the Western
United States, all converging on the helpless San Francisco/Oakland bay area. This film leaves behind the fun and boisterous and moderately comedic Emmerich take (there are no overt jabs at film critics or obvious comic relief characters or any real
moments of levity, for that matter) for a decidedly serious approach that's not just a matter of tone and pace but also of mood, photography, and visual effects. Even as the film wallows in a somewhat mediocre story that predictably centers on a family
separated by disaster, it builds up a palpable intensity through the first half that absolutely explodes in the second, even if the action is often seen from "perspective" shots, such as through a school bus window, by way of a closing door, via the eyes
of a parachutist, or back in the distance as monsters almost silently fight it out while other actions involving human characters play out in the foreground. The film's photography is its most startlingly wonderful asset. It pulls the audience in so deep
-- even if the action is sometimes so far -- that the sense of intimate peril is never escaped until the credits run.
Indeed, the scope and scale of destruction is massive, but not implausibly massive. The film never shows chaos and destruction for the sake of throwing more action on the screen. Instead, it's all a natural progression from one moment to the next. The
environment succumbs to the monsters' power very tangibly, very believably, bringing a whole new sense of chaos to the screen that even the best of the recent Disaster films have never quite before realized, not in 2012, not in Cloverfield,
not in anything. The film does stumble over itself a few times with a somewhat overlong open that's crucial to the story but slows down considering the sense of inevitability that builds around it. The graceful action and destruction that does come makes
the wait well worth it, even as the film further drowns around the edges with a dull lead character and predictable family separation events meant to add more drama to madness that stands well enough on its own. Still, despite a few hiccups, this is a
tremendous film, one that's even better made than it is purely entertaining, and suffice it to say, it's a blast.
Godzilla sees the franchise not so much evolved but rather perfected. The film hearkens back to the classic imagery and style of the best of the older Japanese versions but updates them for modern audiences and the modern timeframe in which the
movie is set. The plot is straightforward and the characters are flat, but the movie simply dazzles with its structure, style, and enveloping feel. Audiences will feel like a part of the chaos for the entire second half. The monsters look tremendous
(Godzilla is a little "meatier," maybe, but never looks digital, while the other creatures look like oversized "bugs" from Starship Troopers) and the destruction comes as an evolution of the fight, not simply as the result of filmmakers wanting to
digitally blow up legendary landmarks. There's a good chance that Godzilla will please almost all viewers, both franchise traditionalists who may have been unhappy with Emmerich's film and casual moviegoers just looking for well made entertainment.
Warner Brothers' Blu-ray release of Godzilla offers excellent video, all-time great reference audio, and a fair array of extras. Very highly recommended.
Trivia:- Released in 2014, Godzilla's 60th anniversary.
- The film contains 960 visual effects shots. The 3D model of Godzilla, made up of 500,000 polygons, appears in 327 shots. Had the graphics been designed on a single computer, it would have taken 450 years to render.
- Godzilla is covered in keloid scars. The original Godzilla (1954) was heavily scarred to evoke the gruesome marks borne by the survivors of the Hiroshima and Nagasaki bombings.
- Director Gareth Edwards described Godzilla as an anti-hero. "Godzilla is definitely a representation of the wrath of nature. The theme is man versus nature and Godzilla is certainly the nature side of it. You can't win that fight. Nature's always
going to win and that's what the subtext of our movie is about. He's the punishment we deserve."
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[CSW] -1.4- Too dark is an understatement. Most of the film was so poorly lit I didn't have a clue what was really going on. Even the daylight scenes are dark, so imagine the night scenes and those in tunnels and underwater! Too much action going on, and
with the darkness you can't even tell what's really happening half the time, and somehow it managed to be boring at the same time. What were these film-makers thinking? I rented the 2D version to see if I might be interested in getting the 3D version…
absolutely no way. I won't even watch this again when it comes no late night TV.
[V5.0-A5.0] MPEG-4 AVC - D-Box 10/10.
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